| D | E | F# | G | G# | A | A# | B | C | C# | d | e | f# | g | g# | a | a# | b | c | c# | d |
| X | X | X | X | X | X | X | X | O | O | O | X | X | X | X | X | X | X | O | O | O |
| X | X | X | X | X | X | O | O | X | O | X | X | X | X | X | X | O | O | X | O | X |
| X | X | X | X | O | O | X | O | X | O | X | X | X | X | O | O | X | O | X |
O | X |
| X | X | X | O | X | O | X | O | O | X | X | X | X | O | X | O | O | (X) | O |
X | X |
| X | X | O | O | X | O | X | O | O | X | X | X | O | O | O | O | O | (X) | O |
X | X |
| X | O | O | O | X | (X) | O | (X) | O | X | X | O | O | O | (X) | (X) | (X) | (X) | O |
X | X |
X: finger down O: hole open
(X) = Optional. Experiment to see which gives you the best tone and grip/balance.
The little finger down is optional on a lot of the notes, and is mostly for balance.
The G# and g# give you the key of A, which occasionally pops up in traditional Irish music.
I don't know how common these C, C# and c#
combinations
are, but they seem to work pretty well. To a certain extent,
optimal
fingerings depend on the particular flute you are playing, be it an M
and
E flute, or some other Irish flute. We'd love to hear comments on
other useful fingerings and combinations from M and E flute players.